So, an ES-225TN would be a single pickup version with a natural finish and the ES-225TDN would be a natural finish with two pickups. All the models had a T suffix for thinline, with a D added for double pickups and N for a natural finish. The first models had a single, centrally mounted P-90, and in 1956 Gibson launched a two- pickup version.įeaturing a hollow laminated-maple body with a bound rosewood fretboard, there were two colour options – sunburst and natural. Introduced in 1955, the ES-225T was Gibson’s first thinline and could be regarded as a transitional model connecting the deep jazzboxes and the thinline double cutaways. There are plenty to choose from, including outliers such as the Byrdland, ES-350 and various ES-125 models, but here we’ll confine our focus to the big hitters in Gibson’s thinline range. The company transitioned to making superb solidbodies within an impressively short timeframe but, in meeting customer demand for sustain and feedback-resistance while staying true to the Gibson aesthetic, ES thinlines are some of the company’s greatest designs. Gibson’s reputation as a premium guitar manufacturer was established by its traditional archtops.
#VALUE OF 61 GIBSON ES 125 HOW TO#
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But when contemporary pop, rock and blues players think of Gibson’s ES guitars, they are usually thinking of thinline models rather than deep-bodied jazzboxes. Originally used to distinguish guitars that were designed to be played in the conventional manner rather that flat on the lap in the Hawaiian style, the ES designation simply meant ‘Electric Spanish’. Gibson’s ES series is almost as old as the company itself.